He’s just some guy who wanted to make movies, another avatar for that irrational American ideal of chasing your dream, everything else be damned. Neil Breen, on the other hand, is completely serious. You’re never quite sure if it’s all an act with Tommy. Wiseau was, and to extent still is, an alien force transported from another planet. Some have unfairly compared Neil Breen and his film to Tommy Wiseau’s The Room because they share a similar outsider perspective and unique creative voices, but what separates Fateful Findings is Breen’s dedication to the filmmaking process. And it is STRANGE, emboldened in capital letters for a reason - there isn’t anything else like it out on the market. One thing all of Fateful Findings negative reviews fail to distinguish is the film’s extreme disregard for convention, that childlike wonder of a filmmaker who stubbornly clings his vision no matter how strange it might seem to everyone else.
Fateful findings movie#
Others simply offer more general, but lazier, assertions that it’s “ the worst movie ever made.” (Mike Hodge, Film Threat). Some make Breen himself a target because he’s a director/writer/actor “ who looks to be in his 50s but casts himself as the contemporary and love interest of much younger, attractive women.” (Jay Stone, ). Many critics would vehemently disagree with me on that belief. I’m absolutely certain Neil Breen’s Fateful Findings is one of the best films of 2014.
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